Sharelly Emanuelson reflects the feeling of life in the Caribbean in her work – the warmth, the island feeling – but at the same time exposes the underlying layer of the consequences of colonialism on the islands, effects that continue to have impact today

For the Sake of Forests and Gods documents the violent consequences of nonstate actors impinging on the existence of Indigenous peoples in the remote highlands of Palawan Island, the Philippines. Nimble, focused, and well-funded, religious and environmental organizations increasingly assume governmental authority over the lives and livelihoods of the Pala'wan people within their ancestral territories.